The Influence of Salvador Dali to Modern Art Research Paper

The Influence of Salvador Dali to Modern Art - Research Paper ExampleThe paper The Influence of Salvador Dali to Modern Art discovers the art of Salvador Dali, the noted Spanish painter and his influence of modern art. Salvador Dali is one of the most resourceful and productive artists of the ordinal century. As Klein notes in his book, Salvador was a multitalented man who managed various activities same fashion, advertising, writing, sculpture, and even filmmaking. It upliftms that Dali was exceedingly influenced by the psychoanalytical theories of that time, and his themes range from eroticism and death to decay. One can say unambiguously that his start was influenced by the Freudian speculation of human mind. It is an accepted fact that Freuds teachings of human mind and the unconscious seriously impacted on the thinking of artists in the first quarter of the twentieth century. In the words of Freud, the sublimation of the artists unsatisfied libido is responsible for produ cing all forms of art and literature, whether it be painting, sculpting, or writing. Thus, his new ideology made artists and writers look into their aver dreams and thoughts with a new insight. Soon, these thoughts (once considered absurd and illogical) found a new place in art. Admittedly, it was the Freudian analysis of the role of dreams which attracted people like Dali. Dali was highly impress by Freuds Interpretation of Dreams and Die Traumdeutung. From Dalis own words, it was one of the greatest discoveries of my life. I was obsessed by the vice of self-interpretation-not just of my dreams.... but of everything that happened to me, bargonly accidental it might at first larnm (Martinez-Herrera, Alcantara, and Lorena 855). At first, one can look into the interpretation by Stuart Walton. It is pointed out by him that Dalis work called Autumn Cannibalism is the first stage of psychosexual development. According to the Freudian concept, this stage is marked by the psychological theme of total dependency. In fact, a gratify at this stage is very dependent, as it can do little for its own protection. The Autumn Cannibalism was painted in the year 1936. It was in this year that the civilised war broke out in Spain. Thus, as Walton points out, the work mainly depicts horror and destruction of war along with the demolishing nature of sexual blood (69). In the painting, a chest of drawers is placed on a beach, and the upper halves of two people sit on it. The two bodies are highly entangled, and one figure dips a spoon into the body of the other. The latter figure dips a knife into the flesh of the former. The heads of the figures merge into each other. One can see pieces of meat thrown here and there. Thus, scholars reach the conclusion that the work shows the human impulses going back to the oral phase of psychosexual development. In addition, there are works like The Enigma of Desire My Mother which reflects the Oedipus complex. The picture shows the poro us rocks of the Catalan coast of Spain as the central image. On the rock, one can see the words ma mere written again and again. Then, there is the self-portrait of the painter, lying on the ground with eyes closed. One has to assume that the character is either at rest(prenominal) or half dead. Ants are coming out of the ear of the figure, indicating that decomposition and decay have started there. However, the point of consideration here is the little lions head above. The picture shows that the head has its face twisted into a grimace. Thus, the best assumption would be that it represents Dalis father. The lion head is at the highest point of the cragged body, and he is apparently pressing the face of